Some new songs that came out in (or around) February

Usually on my music write-ups I gush about pop music by artists that aren’t exactly mainstream, and no one really pays attention to me. So in a blatant attempt to get some views (and for people to read about an artist I really, really like) I’m going to also review two songs by people whose music I always hear ‘in the club’…

First up, Ludacris ‘Party Girls’ (feat. Wiz Khalifa, Jeremih and Cashmere Cat)

Ludacris is really popular, right? I mean, I liked his song ‘Rollout’ when I was like, twelve and didn’t know better. His bit is the only non-chorus bit of Usher’s ‘Yeah’ that people attempt to sing/rap along to and he’s obviously on Justin Bieber’s ‘Baby’. He’s also roped in the guy who did that ‘Birthday Sex’ song, some dude I’ve never heard of but I assume is popular amongst hip-hop fans and the chap from ‘Payphone’ and the song where T-Pain ruins one of my favourite Lily Allen tracks. If that’s not going to get me tons of views nothing will! So onto the song itself…

Oh dear. I imagine Ludacris think he’s being really edgy and cool by sampling Aqua’s ‘Barbie Girl’ here. Sure, rappers like Flo-Rida have been taking cheesy Eurodance songs and turning them into anthems about having lots of sex with sexy ladies for a while now, but to go further than any rapper has before and interpolate THAT song is pretty courageous, right?

No. In fact, its about as boring as going to Subway and buying just ham on plain Italian. Onto the next one

Jason Derulo – ‘Stupid Love’

About as boring as going to Subway and just having bread.

Well, if you came here for Ludacris and Derulo then please stay for five more minutes and listen to this song by one of my favourites artists. She’s been an internet favourite for a few years now, hopefully moving into up-and-coming success in the mainstream territory. This is Florrie…

Florrie – ‘Seashells’

With Girls Aloud breaking up almost a year ago to the day, the Gossip album being a major mixed bag and the whole Amelia Lily debacle, I was thinking this was the end for Xenomania – my favourite pop makers of all time. Luckily, Florrie was there with my second favourite song of last year ‘Live a Little’ keeping my faith alive. Despite finally signing to a label, this singer-drummer-model-fireman combo hasn’t ditched team X to work with the current big names that everyone else is. And despite the songs Brian Higgins and co have put out over the last 2 years nearly all being firmly in the electronic category, ‘Seashells’ instantly hits you with some Asian-sounding production. This is typically Florrie and Xenomania in that it ignores typical verse-chorus song but is made up of nonsensical playground style chants that earworm into your brain. It’s not the most immediate song on first listen, nor does it seem to compare to earlier Florrie songs like ‘Call of the Wild‘ or ‘Every Inch’, but if your curiosity takes you back for further listens, it really grows on you.

The video suits the song too, its not really about anything but its got the chilled aura to it. The Instagram effects coupled with Florrie’s relative unknown status make this pretty hipster friendly but she really is worth getting into, and not just to have an unknown popstar to brag about liking but because her music is really damn good.

(and she’s not actually a fireman)

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Lily Allen’s been in the studio (not in the kitchen) and now she’s back!

I don’t know if you’ve noticed but the ‘chart music scene’ has been really, really bad recently. We’ve had to endure Robin Thicke‘s tacky rape anthem ‘Blurred Lines’, Miley Cyrus‘ tongue antics, endless auto-tuned EDM put your hands/drinks up in the club/to the sky ‘bangers’ and everyone twerking as if it was something only invented this year (it wasn’t).

Despite all the misogyny flying around, pop music is usually an area where girls do it best,  but I can sum all the recent albums from Lady Gaga, The Saturdays, Katy Perry and Avril Lavigne with a big meh. Where’s the spark?! Things clearly need to be done.

Luckily, my second favourite popstar of all time Lily Allen has decided to come out of musical retirement, and dropped the name Lily Rose Cooper she used when featuring on P!nk‘s ‘True Love‘, to bring take pot shots at the sorry state of the music industry, and the rampant sexism – all wrapped up in one of the best singles of the year.

This, is ‘Hard Out Here’

So, it’s clearly amazing. I could go on about how clearly amazing it is; nearly every line is quotable, the production sounds like a Lily Allen song (twinkly piano et al) in 2013 should sound like an the video if full of screen-cappable gems. Here’s my top 5 favourite bits.

NUMBER 5:  I personally like to think the amount of times Lily uses the word bitch in the song is directly referencing Britney‘s ‘Work Bitch’. Which is still a terrible piece of music.
NUMBER 4: “If I told you ’bout my sex life, you’d call me a slut / when boys be talkin’ ’bout their bitches, no one’s making a fuss.”
NUMBER 3: The ironic, and perfect (over)use of auto tune where its really not necessary. Kanye, T-Pain, Rihanna and the like must be REALLY big fans of that Cher song from ’98. You know the one.
NUMBER 2: 

This is my new favourite saying

This is my new favourite saying

NUMBER ONE (unsurprisingly):

Lily Allen Baggy Pussy

This just sums up Lily’s humour: sharp and to the point, but not afraid to self-depreciate herself at the same time as putting the (music) world (of 2013) to rights. I’m so excited, that the album and tour tickets are going to be pre-ordered the moment they go online.

Keep it coming, bitch.

(Oh, and the John Lewis advert Keane cover is lovely and all too. #diversity)