So, August…

So August came and went in a bit of a blur, so much so I barely blogged at all (sorry!). So I thought I’d do a reflective post on Things I’ve Been Doing. Admittedly I’ve not done anything as exciting as gone to the MTV VMAs and got everyone talking about my foam finger (I could write an entire essay about Miley Cyrus but in short: she’s not doing anything worse than I’ve seen on many nights out, but she is trying too hard and getting on my goat a bit) but I’m sure I will spice things up with a few pictures and (attempts at) puns.

Most of my time this month has been spent commuting to and from Cardiff for work. I’ve got an enjoyable job and its digging me out of my student debt but obviously it’s not where I want to be in my life. And as graduates know, very few leave Uni and walk into a career. The media especially requires you to know the right people, be in the right place at the right time and/or get shed loads of experience.

Luckily for me and a few of my fellow graduates, this weekend we have gotten some of the latter and it’s been invaluable.

L-R: Leah Coombs, Gwyneth Jane Humphreys, Laura Emily Harris, myself, Jack Perry and Alex Tisley.

We’ve all spent the last few days at Snetterton Race Course up in Norwich for the Citroen 24 Hour 2CV Race. As you can tell by our funky uniforms we were the official media team for the whole race. For us this meant we had to man the Twitter, set up and fix the cameras around the race course as well as vision mix and maintain the online live stream. With the race being 24 hours we each got a chance to try our hand at everything multiple times, and get a few hours sleep. Except for Jack and Leah, who endured the full 24 hours with less pit stops than the cars themselves.

Our office for the race. Surprisingly at the point this photo was taken only one tube of Pringles was open.

Our office for the race. Surprisingly at the point this photo was taken only one tube of Pringles was open.

The event wasn’t as intricate or large as Formula 1, but the experience is very similar (I’d imagine).  Carrying around the roaming camera in the pits we had to be totally aware of our surroundings: what cars were in the pits, who was about come in or leave and where you shouldn’t walk unless you want to get run over. As the audio was handled separately by the radio team and their commentators, we had to try and catch the action on the camera as it was being spoken about. We had walkie-talkies to communicate with the director/vision mixer and at the start found it difficult to communicate, with all the noise of the vehicles and other people around. We learned as we went on to communicate direction using short and to-the-point phrases and assume the camera we were carrying was live all the time.

An example of some of the tweets I made whilst manning the official social media page

An example of some of the tweets I made whilst manning the official social media page

Once we worked out this system, and worked out the rhythm of vision mixing the process ran pretty smoothly. Sure, every now and then one of the cameras would decide to not work (it wouldn’t be a proper live broadcast unless something technological failed) and the amount of sugar and snacks I’ve consumed is disgraceful but it was a fantastic experience and, as the first piece of media work I’ve done since University, I’ve been reminded just why I want to be in this industry. It’s a thrill. And the race was pretty exciting too!

I've discovered a passion for motor racing

I’ve discovered a passion for motor racing

Apart from that, there’s not really much to write about what I’ve got upto, so I might quickly whizz through some music and film reviewsopinions.

Music: apart from Miley Cyrus, August saw (and heard) the return of megastars Lady Gaga and Katy Perry with the lead singles from their third albums. Both are all right I guess, ‘Roar’ is probably the better song but ‘Applause’ is more interesting, if only for some of the lyrics and that accent on the verses. First singles are usually pretty safe, predictable options in today’s overly cautious Top 40 music scene, and I’m hoping there are some genuine classics to come from both. As we move into the last few months of the year, loads of albums are released hoping to be scooped up in the Christmas buying rush. The first one of those is obviously Janelle Monae, who has been pretty much on repeat in anticipation over the last month.

This has also come to my attention recently, and anyone who knows me is well are of my… gripes with the original.  (NSFW)

I’m not sure what’s better: this parody or the comments on the web from men who find watching this uncomfortable. So much irony here I could use it get rid of all the creases in my clothes forever.

Films: I’ve been TERRIBLE with going to the cinema this last month; literally only seeing two films. And no, neither of them were One Direction: This Is Us.

Both The Wolverine and Elysium were, in my opinion, strong solid 7 out of 10 movies. Great films wrapped up in good ones, with their potential just hindered by a few things. The Wolverine starts off as a slow, character piece with a gorgeous setting in Japan and a fantastic set-piece atop a bullet train with physics being thrown out the window. I was actually reminded of one of my favourite films of all time, Final Fantasy VII: Advent Children; both have that Japanese sensibility, a mix of realism and stylisation, similar pacing and focus on lonely warriors afflicted with symptoms that cause them to collapse at inopportune moments. But whereas the over-the-top action felt in place in Advent Children, and the set-pieces outdid themselves each time, The Wolverine’s final third just descended into silliness for me, with a gigantic CGI samurai robot. There wasn’t much tension in that fight either, with shots of a character waking up from being knocked out and noticing a weapon they could thrown ruining any element of surprise. The teaser trailer has me very stoked for next year’s X-Men: Days Of Future Past, which is clearly 20th Century Fox‘s answer to Marvel’s The Avengers. Let’s hope its just as awesome but I’ve probably memorised every line of last year’s epic nerdfest and I’m insatiable for more.

(speaking of Insatiable, Queen Nadine Coyle annoucned she’s having a baby!)

Back to films and onto Elysium which, like the Pet Shop Boys album with the same title released last year, wrapped up some social commentary (the film about class divide and capitalism, the album about ageing and fame) in a package that’s easily enjoyable, but leaves you wanting more. I’m guessing that’s what you’d find if you looked up the word in the dictionary.

Oh.

Oh.

Unlike most people I’ve talked to, I had no problem with Jodie Foster at all. In fact, she was one of my favourite aspects of the film. My beef was with Sharlto Copley. He was one of the best things about the incredible District 9 but here, I can’t take him seriously as a villain. I can see what he was going for but I never found him creepy, or intimidating – just a large ham criminally out of place.

Continuing on the theme of enjoying things but finding them a bit disappointing (I am so middle aged…) I’ve been playing a lot of Ni No Kuni: Wrath of the White Witch which has sucked up a fair bit of my time. It’s got that irresistable JRPG hook of ‘just one more thing to do before I stop’  but like Level-5‘s previous games Dragon Quest: Journey of the Cursed King and Rogue Galaxy I find as the game goes on it gets too repetitive and its becoming a bit of a slog. The combat is frustrating at times with ridiculous AI and the story I’m not really into.

It is VERY pretty though. I’m a sucker for Studio Ghibli and being able to have a Totoro lookalike on the team is pretty awesome.

I will say though, I’ve pretty much not used a guide at all so far which I’ve purposefully tried to do after realising I’m potentially ruining gaming experiences but using them too much during my first playthrough. Sure there’s a great in-game encyclopaedia and a lot of hand-holding with very little thinking involved for a lot of puzzles, but I’m choosing my own monster team and one of their two final evolutions based on gut feeling, rather than guides and what other people online tell me to. I could go into a LOT more detail but I’m saving this for either a full blog post once I finish the game or get a YouTube channel with one of my friends off the ground.

Eyes on this space, guys. Eyes on this space.

For now, I’m going to sleep some more and recover from the weekend. Comments, likes, follows etc. are all greatly appreciated and have a lovely September. I promise to post more! Joe

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Amazing New Song Alert! ‘Racer’ by Giorgio Moroder

Giorgio Moroder is a pretty big deal. He is practically the godfather of synthesized music, producing Donna Summer’s classic ‘I Feel Love’ all the way back in ’77 (the year of A New Hope. What a great year!) and kickstarted the use of of all electronic instruments in everyone’s favourite genre – disco. Modern music owes so much to disco, and Moroder – techno, house and the current Eurodance EDM craze all have these 70s influences all over them. You could even say ‘dance music’ is just a way of repackaging disco after America decided to wipe it from its history, along with racism and the fact the country was built off immigration.

I’m digressing (into possible controversy), the point is that this genius is making something of a comeback. He features on the new Daft Punk album – apparently the most pre-ordered in UK history, in a song called ‘Giorgio by Moroder’ which is a monologue set to his life set to amazing music. I assume, although the whole thing is streaming legally online I’m saving myself until its out properly. But this is more than keeping me entertained.

The song is called ‘Racer’, for a Google Chrome game of the same name. It’s a free download if you have a Google account and some music app software I deleted right away after download. Its a full on electronic assault affair, building on a funky beat with sparse, possibly French vocals, occasionally dropping to a twinkly piano melody before coming back up for you to game – or dance to.

There’s not really much else to say about it; its simple but layered and progressive, totally throwaway but utterly addictive. Give it a spin.

(Get it, spin like a record, but also like wheels on a car – coz its a racing game. Oh I give up)